The Distance Between Wonder and Curiosity: Whither Modern Journalism?

Ireland’s former Minister for Justice and former Attorney General, Michael McDowell, supposedly “retired” from politics, asked some big questions of the Irish political and media establishment at a private dinner in Dublin last week. It may have been a private dinner but what he said ended up on the front page of The Irish Times nevertheless. For some people McDowell’s remarks put a question-mark over his retirement – he bowed out after his defeat in the last General election. Was he making a pitch for the formation of a new political grouping to confront the cosy and anodyne choices which the present set-up seems to offer the Irish electorate?

This is what the Irish Times reported: “There is a ‘gap in the market’ in Irish politics which will need to be filled if the next general election is to be more than just a contest between Fianna Fáil (the main party in the present government) and Fine Gael (currently the main opposition party)  to see who will govern with the Labour Party…If people wanted to stop the general election being like that, they had to do something about it rather than just complaining, Mr McDowell said.”

That is intriguing enough but we will have to wait and see if anything more comes of it. What was more intriguing but only alluded to in the reports was the fact that in his address Mr. McDowell devoted the lion’s share of his attention to the media itself, criticising it for its “holier-than-thou” posturing since our financial world began to unravel three years ago.

The Irish Times reported: “A large portion of his address was devoted to criticising the media, including The Irish Times and RTÉ. He agreed with Taoiseach Brian Cowen that media commentary about the economy was excessively negative. He objected to the media criticising the Government for not seeing the property crash coming, when they too had not predicted the financial downturn. He mentioned The Irish Times Ltd’s purchase of the property website myhome.ie for €50 million in 2006”.

Stanley Baldwin, a British prime minister in the early part of the last century once jibed that journalists enjoy “the privilege of the harlot down the ages – power without responsibility”. Kenneth Minogue, Emeritus Professor of Political Science at the London School of Economics, quoted this in a powerful critique of journalism which was published in New Criterion back in 2005.

Professor Minogue accepted that we cannot live without journalism. We need information and the way we get the vast bulk of the information which we need for life in the polis comes to us from journalists. But some kind of decadence has taken hold. He connects this with Baldwin’s jibe insofar as it seems to “point to the profound idea that there is something essentially pathological about the whole activity that daily satisfies our often pointless curiosity about what is going on in the world.” He accepts that at its core journalism is a perfectly respectable and certainly a necessary trade, informing us about the world. However, he maintains that it has lost its integrity and has become, in some degree, a parody of truth. I suppose that Baldwin’s analogy went something like this: Just as the harlot panders to the indulgence of human sexuality, regardless of any sense of its true purposes and outcome, so the journalist can pander to the indulgence of that pathological curiosity that Minogue refers to and that all of us can be tempted to.

Is this not the problem at the root of McDowell’s complaint about the negativity of the media’s treatment of our financial predicaments? Is negativity endemic in the provision information at a popular level? No news may be good news but every journalist also knows that good news has to be very good to get itself into print or on the airwaves. The journalist has an inbuilt instinct to entertain first and inform second. The journalist has to first of all attract attention; then the information can follow. If bad news attracts more attention than good news then the bad news angle becomes the default option.

McDowell’s point might be illustrated by two contrasting reports on an Irish Central Bank quarterly bulletin in two Irish newspapers on the day following that dinner. The Irish Independent went into moan mode, emphasising the negative elements in the bank’s report:

“The euro-region recovery may ‘moderate somewhat’  in the second half of the year as governments withdraw stimulus measures and cut spending to reduce budget deficits, Ireland’s central bank said. ‘The euro-area recovery is expected to continue, but is now likely to occur at a more gradual pace than was anticipated’ in April, the Central Bank led by Patrick Honohan said in its quarterly report published today. ‘This primarily reflects the negative short-term impact of fiscal consolidation.’

“European governments from Ireland to Spain have been forced to step up budget cuts after the Greek fiscal crisis eroded investor confidence and pushed up borrowing costs. The euro- region economy may only show a ‘somewhat uneven’ recovery, the Irish central bank said, echoing remarks by European Central Bank President Jean-Claude Trichet earlier this month. While a recovery in exports is expected to continue, domestic activity ‘appears likely to remain subdued,’ according to the report. Governments’ deficit-reduction plans could curb demand, hurting a recovery, it said.”

Dan O’Brien, the new Economics correspondent of The Irish Times, a trained economist and until recently working with the Economist Intelligence Unit, gave a more positive slant to the Bank’s report.

“Central Bank says economy to grow by over 2% in 2011”, said the headline. “The Central Bank”, he wrote,  “has predicted that the economy will grow by between 2 and 3 per cent next year, well above most expectations for the euro zone as a whole. The crisis in the euro zone, which peaked in May, does not appear to have damaged Ireland’s growth prospects, according to the bank’s Quarterly Bulletin .

“In its first economic forecast since the bailing out of Greece and the putting in place of a rescue fund for other weak euro zone countries, the bank argues that Ireland’s recovery remains on track”. He didn’t ignore the negative caveats in the report but he didn’t labour them either.

I suppose we will have to wait to see which made the better call but certainly if you wanted encouragement you would read The Irish Times on this occasion.

All this is of course at the higher end of the reporting spectrum and may not be so self-evidently rooted in some kind of pathology as Minogue argues in relation to trends in journalism generally. But the worry is that it is a symptom of the same infection – and clearly Mr. McDowell and Mr. Cowen feel the downward pressure which it is bringing to bear on our morale generally. What is the infection? Minogue’s answer is that journalism satisfies curiosity, but a curiosity which is only “a distant relative of the ‘wonder’ thought to be the source of philosophy and science.” How, he asks, can curiosity be a vice? “The answer”, he says, “is that we are often curious about things that are none of our business. The malicious village gossip is the most curious creature on earth, and finds a successor in the ‘door-stopping’ journalist and the paparazzo infesting the lives of famous people.”

If journalism tends to the negative rather than the positive, the pessimistic rather than the optimistic, is this simply because of a certain morbidity in the kind of curiosity it tends to pander to? “The most evidently vicious kind of curiosity is morbid,” Minogue maintains. Plato recognised this, he tells us, quoting from The Republic which tells of a character noticing the bodies of some criminals lying on the ground with the executioner standing beside them. “He wanted to go and look at them, but at the same time was disgusted and tried to turn away. He struggled for some time and covered his eyes, but at last the desire was too much for him. Opening his eyes he ran up to the bodies and cried, ‘There you are, curse you; feast yourselves on this lovely sight!’” Minogue comments: “Some modern press photography is remarkable, almost an art (that of sport, for example), but much that we see in tabloid journalism would disgust us had our sensibilities not been corrupted by learning to enjoy the satisfaction of this particular version of lust – the lust to see and know things of no concern to us.”

I suppose there are many who will say about all this – “So what?” For some it will be because the challenge of dealing with it suggests something that is even more distasteful – censorship. I heard an interview with Bret Easton Ellis on Irish (daytime) radio some time ago. I was amazed to hear Easton Ellis hold back on some descriptive references to his very explicit fiction. But I was more amazed to hear his Irish host mutter his disapproval at the suggestion that they would indulge in any self-censorship on behalf of their listening audience.

Ultimately all this is a question of the ways in which we chose to exercise our freedom, responsibly or irresponsibly, and that in the end boils down to the exercise of integrity in whatever field of human action we find ourselves engaged. If we chose to work outside that framework then we will deserve the jibe Stanley Baldwin made about the journalism of his day.

Filmstalker: Roland Joffé’s There Be Dragons trailer online

Roland Joffé’s There Be Dragons trailer online

FILMSTALKER writes:ThereBeDragons.jpgThat sounds impressive, Roland Joffé’s There Be Dragons, instantly you should be pricking up your ears. Then there’s the fact that the film follows two friends, one who turns to war and the other who becomes the founder of Opus Dei, Josemaria Escriva, and you should be even more interested.

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via Filmstalker: Roland Joffé’s There Be Dragons trailer online.

A Distasteful Display of Acrimony: Frank Rich on Mel Gibson

Frank Rich used to be the terror of Broadway. This was in the days when he was the main theatre critic of the New York Times. Any playwright opening there with a new play had to keep his fingers crossed that Rich would either not cover the opening or would take a liking to it – for whatever deep and mysterious reasons the said critic might chose to like it and give it a good review. Rich was an all-knowing an inscrutable God when it came to theatre and his bad reviews had such divine authority that plays he disapproved of could close after a week.

But eventually Rich moved on – whether because he got tired of his own negativity or the Times felt that his negativity was becoming too much of a cliché, we cannot say. For whatever reason dramatists could breathe again and were happy to be able to take their chances again with critics who seemed less dogmatic and less prone to the use of vitriol to beef up their reservations about their work. But he did not move far.  He now writes a regular column for the paper and nothing much has changed in terms of his style or use of vitriol-laced ink for his fountain pen.

This brings us to poor old Mel Gibson, the renewed object of Mr. Rich’s ire. Mel has once again made himself cannon-fodder for his enemies – and there is no doubt but that he seems to have as much capacity for making enemies as he has – at least until now –  for making money. Last week Mr. Rich was to be found gloating on the dire consequences for Mel’s career in the aftermath of his most recent alcohol-fuelled outburst. But apart from the distasteful spectacle of one man gloating on the fate of a clearly unwell fellow human being, what is remarkable about Rich’s cashing in on the self-destructive propensity of Mel, is his use of this as a pretext to launch a major attack on what he labels the “Christian right” of America. The Christian right, of course, includes all those who hold any candle for traditional Christian morality. No effort is made to distinguish the extremes form the mainstream.

Rich’s jubilation in his piece on July 16, “The Good News About Mel Gibson”, was not just at Mel’s fall from grace, or the fall from the place the last fall left him languishing in, but the further damage which this will inflict on all those causes Gibson espoused to some good effect when his celebrity status was still intact.

“Gibson is in such disgrace today, Rich writes, that it’s hard to fathom all the fuss he and his biblical epic engendered back then”. He is referring to the controversy aroused when Gibson was making and releasing The Passion of the Christ back in 2004. Gibson defended the movie against an onslaught of allegations that it was going to be an anti-Semitic rant. Rich’s line is that all this was a very clever spin – “publicity screenings for the right-wing media and political establishment, including a select Washington soiree attended by notables like Peggy Noonan, Kate O’Beirne and Linda Chavez. (The only nominal Jew admitted was Matt Drudge.) The attendees then used their various pulpits to assure the world that the movie was divine — and certainly nothing that should trouble Jews. ‘I can report it is free of anti-Semitism,’ vouchsafed Robert Novak after his ‘private viewing.’”

 “Uninvited Jewish writers (like me) who kept raising questions about the unreleased film and its exclusionary rollout were vilified for crucifying poor Mel. Bill O’Reilly of Fox News asked a reporter from Variety ‘respectfully’ if Gibson was being victimized because ‘the major media in Hollywood and a lot of the secular press is controlled by Jewish people.’ Such was the ugly atmosphere of the time that these attempts at intimidation were remarkably successful. Many mainstream media organizations did puff pieces on the star or his film, lest they be labeled ‘anti-Christian’ when an ascendant religious right was increasingly flexing its muscles in the corridors of power in Washington.”

 So Rich clearly reads the considerable critical and popular acclaim which The Passion garnered as the result of a clever spin job. He puts it all down to the then dominance – as he sees it – of a resurgent rightwing Christian lobby. Read Rich between the lines, however, and it very hard not to see someone who will consider any telling of the story Gibson retold so startlingly as anti-Semitic.

“Once ‘The Passion’ could be seen by ticket buyers,” he maintains, “— who would reward it with a $370 million domestic take (behind only ‘Shrek 2’ and ‘Spider-Man 2’ that year) — the truth could no longer be spun by Gibson’s claque. The movie was nakedly anti-Semitic, to the extreme that the Temple priests were all hook-nosed Shylocks and Fagins with rotten teeth.” This kind of paranoia puts the tendency sometimes found in the British press to read any re-telling of Irish history as anti-British propaganda deep into the shade. Why is it so difficult for human beings to face the simple truths of history?

He continues, “It seems preposterous in retrospect that a film as bigoted and noxious as ‘The Passion’ had so many reverent defenders in high places in 2004. Once Gibson, or at least the subconscious Gibson, baldly advertised his anti-Semitism with his obscene tirade during a 2006 D.U.I. incident in Malibu, his old defenders had no choice but to peel off.”

 That kind of crass judgement is enough to strain the tolerant spirit of any soul, and much more so the ultra-volatile Mel in one of his inebriated states of being. He is easy prey for Mr. Rich. But it is not really Mel whom Frank Rich is after. The “religious right” is his main target. Its supposed discomfiture at the antics of  its fallen angel is what he is really rejoicing in.

“The cultural wave that crested with ‘The Passion’ was far bigger than Gibson. He was simply a symptom and beneficiary of a moment when the old religious right and its political and media shills were riding high. In 2010, the American ayatollahs’ ranks have been depleted by death (Falwell), retirement (James Dobson) and rent boys (too many to name). What remains of that old guard is stigmatized by its identification with poisonous crusades, from the potentially lethal anti-homosexuality laws in Uganda to the rehabilitation campaign for the “born-again” serial killer David Berkowitz (“Son of Sam”) in America.” Clearly, forgiveness of any kind is going to play no part in the world of Frank Rich.

One glimmer of charity and light, however, came in Rich’s noxious – to borrow his own word – package in the New York Times, and that was in an online comment from a professor of psychology in a New York college, David Chowes:

“Pathological behavior can occur to any person of any political stripe. While I have not spent any time with Mr. Gibson, as a professor of psychology at Baruch College/CUNY, for years I have observed Mel Gibson. My conclusion: he has at least (a) destructive personality disorder(s) and, especially the strong possibility of bipolar disorder (aka, manic depression).

 “His alcoholism is often correlated with my hypothesis; his untempered temper; his (believe it or not) creativity as an actor and director; his self-destructive behaviours; his alleged violence and tantrums… One doesn’t have to be right-wing to display aberrant displays of behaviour. Abby Hoffman  (ultra radical activist in the ‘sixties and ‘seventies) was an admitted bipolar which was coupled with a number of personality disorders. He ended his life via suicide. (I knew Abby Hoffman.)

 We hope and pray for better for Mel Gibson – but the vulnerability of the man should, one might think, give pause for thought to those who feel it is their duty to bring down further someone who is in as low a place as he finds himself at present. This may not be Frank Rich’s real agenda of course – which makes it even more reprehensible.

The State We’re In

A prominent Irish academic, who often likes to set the cat among the pigeons, a former head of one of the country’s universities, Dr. Edward Walsh, has written a searing critique of the Republic’s political system and the mediocrity it has induced in the body politic. “The intense crisis that now engulfs us highlights the deficiencies of Ireland’s system of governance. Talent is the glaring deficit. The 15 people who currently serve as Government Ministers are well-intentioned, hard-working people but generally undistinguished in terms of expertise, experience or achievement. Not one of the many Irish people who have proven themselves internationally serves in government.” (The Irish Times, July 6).

Talent is important, but it is not the only thing that is important. A far more worrying issue affecting our civic life is the deficit in understanding of the ethical and anthropological principles which should be at the heart of our political culture. If this is not already wreaking havoc it is certainly sowing the seeds of disasters to come. Anyone who watched Irish Television’s political analysis forum, Frontline, recently (Monday, July5, http://www.rte.ie/news/2009/0921/thefrontline.html ) would have been given an occasion to reflect on the consequences of this deficit. In both sections of the programme the speakers and the audience were essentially grappling with the question of the nature of family and the rights and duties of those who make up families. The issues being discussed were civil partnerships in the first segment and legislation for children’s rights in the other. In the context of both issues, only a handful showed any grasp of what family really is in terms of man’s and society’s fundamental nature. It was truly scary to hear talk of “new family forms”, “new family identities” and a complete refusal to address David Quinn’s questions about the fundamental identity of family based on natural motherhood, fatherhood and childhood and its crucial role as the essential bedrock of society. The political challenge which the majority of those taking part saw in front of them was how to regulate and legislate for any number essentially artificial arrangements at the expense of the one natural form of family that we know is at the heart of our civilization.

Rowan Williams, the Archbishop of Canterbury, preached at a service for the new British Parliament last May. He appealed for a deeper vision in politics and among the approaches which he saw would limit such vision was one where “we try to make sure that government controls all outcomes and averts all risks by law and regulation.”  This, he said, “produces a culture of obsessional legislation, paralysis of initiative and pervasive anxiety”.

Politics, not only in Ireland but almost everywhere, has surrendered itself to this search and has abandoned any grasp it had of the fundamental nature of man, his dignity and his destiny. All that, politicians now say, is none of our business. Life-style choices are now what is going to dictate legislation and what legislators must respond to. The State is relegating its role to that of “making arrangements” for any number of life-styles likely to be chosen by individuals regardless of any moral principles which might be involved. Morality is identified as an exclusively personal matter. The only moral responsibility which this kind of politics accepts is the simplistic and shallow Benthamite one of trying to ensure the greatest happiness of the greatest possible number, something very different from a politics based on the pursuit of the common good. For “the greatest possible number” please read “the greatest possible number of votes”.

But there are serious voices calling a halt to this myopic madness. The financial mess which the Western world has landed itself in – and landed almost the entire globe in by default – has some messages not only for financiers but for all those whose actions have a direct bearing on the common good. Niall Ferguson’s new book, High Financier: The Lives and Time of Sigmund Warburg, has just been published by Penguin.  In it he sets up Warburg, a financial giant of the mid twentieth century, as a contrast to the financial bandits who roamed Wall Street and other places over the past three or four decades.

“The real lesson of history”, Ferguson argued in a Daily Telegraph piece last week, “is that regulation alone is not the key to financial stability. Indeed, over-complicated regulation can be the disease it purports to cure, by encouraging a culture of box-ticking ‘compliance’ rather than individual moral judgement. The question that gets asked in highly regulated markets is not: ‘Are we doing the right thing?’ but ‘Can we get away with this?’

“What is more important is to instil in financial professionals the kind of ethical framework that was the basis of Siegmund Warburg’s life and work. ‘Success from the financial and from the prestige point of view… is not enough,’ Warburg told his fellow directors in 1959. ‘What matters even more is constructive achievement and adherence to high moral and aesthetic standards in the way in which we do our work.’”

This is the real crisis in our society and the moral ineptitude of the vast majority of our political representatives is at the heart of it. They have simply abandoned the moral ground. They defend their amorality on the basis of a confusion of morality with religion. They do this especially when they encounter moral arguments from opponents who also hold religious convictions. The most recent Irish example of this came from Justice Minister Dermot Ahern when he professed himself to be a Catholic but then declared that he leaves all that behind him when he walks into the legislature. This of course was the identical compromise deemed necessary by John F. Kennedy to help him secure his election as President of the United States back in 1959. “While we all have our beliefs and religions, I don’t think it should cloud our judgement”, Ahern said in an Irish Times interview. We might wonder not just what kind of faith is behind that remark but what kind of intellect produced it. It is as though these politicians are reading Christ’s stipulation, “Render to Caesar the things that are Caesars and to God the things that are God’s” as “Forget about God when you render to Caesar what is his.” Any reading of Catholic teaching – which as a professing Catholic Mr. Ahern might be expected to know something about – particularly, for example, one of the great encyclicals of the last pontificate, Faith and Reason, will lead any thinking Christian to see that a religion which clouds his judgement is a false religion.

But Ahern is just one example. Cross the Irish Sea, cross the Atlantic and you will find many more. In an interesting article in the New York Times recently, columnist Charles Blow observed a shift in the Democratic Party toward a more religious profile. He wondered about its consequences for the party. He asks whether the growing religiosity on the left will push the Democrats toward the right.

“At the moment, that answer is both yes and no. On the one hand, unlike John Kerry before him, Barack Obama made a strong play for the religious vote on his march to the White House. It worked so well that it’s likely to continue, if not intensify, among Democratic candidates. On the other hand, the religious left is not the religious right. The left isn’t as organized or assertive. For the most part, it seems to have made its peace with the mishmash of morality under the Democratic umbrella, rallying instead around some core Democratic tenets: protection of, and equality for, the disenfranchised and providing greater opportunity and assistance for the poor.”

Most of this is of course little more than religious window-dressing. Recently the Obama Administration signalled a determination to defend the Day of National Prayer in appeals against a decision by a Wisconsin federal court judge that held the Day violated the First Amendment’s non-establishment of religion clause. It goes back to President Truman’s time. Yet plainly such religiousness, when covering anti-life agendas in other matters, implicitly re-defines religiousness as a mass subjectivism devoid of reasoned and justiciable content, a force which can swing almost in any direction.

The key phrase in Blow’s piece is “mishmash of morality”. Politicians there as elsewhere are moral followers, not leaders – with a few exceptions – and when this  “mishmash of morality” is what prevails in society, as it is increasingly doing, then this will be what you get in politics as well. The moral arbiter of our time, dictating the moral standards of our time, is what has come to be called “political correctness”. As a result – again an Irish example – you have a legislature working itself into a fever over the so-called morality of  stag hunting when it practically unanimously slides legislation through unopposed on an issue touching on and compromising the understanding of the morality of one the most intimate and sacred of human acts.

Perhaps we are dreaming impossible dreams when we look for moral leadership from our politicians. As a class have they ever given it? The shining examples of such leadership have been few and far between – Cicero, Thomas More, William Wilberforce, Edmund Burke, Abraham Lincoln and not too many more. Few statesmen have the sensitivity of conscience of Thomas More who spoke of those who shirk the responsibilities of political leadership as being “ like the cowardly ship’s captain who is so disheartened by the furious din of the storm that he deserts the helm, hides away cowering in some cranny, and abandons the ship to the waves—if a [leader] does this, I would certainly not hesitate to juxtapose and compare his sadness with the sadness that leads as [Paul] says, to hell….”

Many great political and moral reforms in democratic societies have been driven from the bottom. The movements which abolished slavery had to drag legislatures to the point where they conceded. So the battle for the good life, the moral life, has to be first fought elsewhere. As long as we neglect to fight it elsewhere we are in danger of our legislatures leading us further and further into the morass of mishmash morality. If the euthanasia movement can succeed in getting public opinion to be indifferent – and it is indifference which is the real destroyer – about whether you and I have a right to terminate our lives at will, or – as they have done in most Western societies – be indifferent to the rights of unborn children, then the politicians will follow and legislate for these horrors. For them, consciences do not enter it. Their business, as they see it, is to make the necessary arrangements to keep the traffic flowing smoothly – and the votes coming their way. As this happens the consequences will become visibly disturbing and result in serious social dysfunction. Edmund Burke foretold the consequences for his time when the observed the self-serving and egotistical architects of the French Revolution at work:

“When the leaders choose to make themselves bidders at an auction of popularity, their talents, and the construction of the state, will be of no service. They will become flatterers instead of legislators; the instruments, not the guides, of the people.” And he added: “On the scheme of this barbarous philosophy, which is the offspring of cold hearts and muddy understandings, and which is as void of solid wisdom as it is destitute of all taste and elegance, laws are to be supported only by their own terrors and by the concern which each individual may find in them from his own private speculations or can spare to them from his own private interests.”

There are people in Ireland today who feel helplessly adrift in a society which is being slowly moulded in a very ugly way. These other words of Edmund Burke resonate poignantly with them: “There ought to be a system of manners in every nation which a well-informed mind would be disposed to relish. To make us love our country, our country ought to be lovely…” For them it is no longer so. Why it is not so will be perfectly obvious to anyone who revisits the debate in the Irish Senate on Thursday, July 8, (http://debates.oireachtas.ie/DDebate.aspx?F=SEN20100708.xml&Node=H2&Page=4)  where a truly shocking spectacle was laid before us of the majority in that house savaging a handful of public representatives who professed rational and conscientious objections to a very suspect piece of legislation which is now going to the Head of State to be passed into law.

The Importance of the Truth We Make Up

Some people take a very dim view of those who spend any of their precious time reading fiction. In their view they are at best taking a little time off from the serious business of life and spending it on some harmless entertainment. At worst they are wasting their time in a pointless and trivial pursuit. At one end of this critical spectrum are those who don’t read anything other than the news media – which they do because they have to – and the documents of one kind or another which land on their desks. These are the hard-nosed practical men and women of our time. They are not what we might call “readers” at all. Their application of the precious gift of literacy is little more than functional.

At the other end of this critical spectrum are genuine “readers” but they still fail to see or appreciate the point of fiction and the depth of its value. These are the readers who feel that fiction is nothing more than fantasy and that the truth of the human condition can only be seen in the history or biography of real events and real people. The deny that the creative imagination can really show us much that is true or get beyond the role, useful they will admit, of giving us some harmless stimulation. In fact, if you mention the word truth to them in the context of fiction, or if you argue that truth is the essential mark of great fiction, they look at you in puzzlement as though you were employing contradictory terms.

Anthony Powell, one of the masters of twentieth century literature, repeatedly expressed the view that autobiography was different from fiction because the latter was true, whereas the former was all made up! In his great sequence of twelve novels, The Dance to the Music of Time, he explains this in detail at one point. Essentially, I think, his point was that the historian and the biographer have to piece together the picture from the scraps of evidence they collect. They select what they think completes the picture portraying a person or an event. The creative writers, on the other hand, who want to explore what it is to be human, what it is or was like to live in a particular human condition, are free to delve into their imaginations and personal experiences to create characters through which he or she will try to give a truly authentic picture of all the possible twists and turns which we human beings can make in our interaction with this world, with each other and with our Creator. Our judgement on what they achieve is ultimately based on whether or not what they give us “rings true”. If it does, and if it shows us something that we have not seen before about our life, our times, times past or present, then we truly have what we can call “revelation” – with a small “r”. Sometimes this happens even if the authors themselves have not seen what we see about their characters. These characters become real and, for example, a Christian reader will bring a Christiaqn sensibility to the interpretation of a character or situation in a great novel – and learn something from it. In a sense what is called fiction is not fiction at all but is truth masquerading as fiction. We have in fact what Pope John Paul II wrote of in the context of Revelation with a big “R” when he speaks of the biblical account of creation in his discourses on the theology of the body: “Following contemporary philosophy of religion and of language, one can say that we are dealing with mythical language. In this case in fact the term ‘myth’ does not refer to fictitious-fabulous content, but simply to an archaic way of expressing a deeper content. Without any difficulty, we discover that content under the stratum of the ancient narrative, truly marvellous in the quality and condensation of the truths contained there.”

Going back to Powell’s work, Christopher Hitchens quotes a Marxist critic – and there were few people more remote from Marxism than Anthony Powell – saying that “there is no other work in the annals of European fiction that attempts meticulously to recreate half a century of history, decade by decade, with anything like the emotional precision or details of [these] twelve volumes.” This is, again, all about truth being presented to us under the stratum of a fictional narrative. But this particular narrative does not just give us an account of a period, nor just a perfect feel for what it was like to live in such a period – the vivid recreation of the experience of living in Blitzkreig London is just one example. It puts us into the hearts and minds of people imagined on the basis of a writer’s real experience of living people, makes us feel the emotions of their loves and losses in a way that enriches us and can form us in our own capacity to respond to our own loves and losses. Our encounter with these lives provides each of us with an opportunity for the refinement of our own sensibilities and emotions. Indeed one might ask if the coarseness of our own age is partly the result of the failure – for one reason or another – to engage with and dwell reflectively on these lives and the panorama of pitfalls they encounter, their errors and weaknesses, right turns and wrong turns, the tragedies and comedies which mirror the whole gamut of human existence.

 Those loves and loses bothered some readers of Powell’s novel. They allege a streak of callousness in his depictions of the comings and goings of the vast array of characters who passed in and out of the life of the novel’s narrator, Nick Jenkins. The critic Brooke Allen defended Powell. “I first read Dance when I was in my twenties, and though I loved and treasured it, it now seems clear that I couldn’t have understood half of it. Though it is a book that appeals to the young, it is not a young person’s book. One has to be middle-aged to have experienced the almost arbitrary dissolution of love and friendship, the almost arbitrary apotheosis of some and dissolution of others, to understand that Powell was not being gratuitously cruel to his characters but simply realistic.”

 The critic William Pritchard, writing about Powell’s art in The Hudson Review, gives just one example of the kind of empathy which the author induces in us when he writes of Nick’s last encounter with his dying friend, Moreland, where they talk about a song he might have composed. “Nick is visiting the dying Moreland in a South London nursing home where Moreland, surrounded by books, remembers a song from a little-read Jacobean play by John Marston, The Dutch Courtesan. The song—which begins ‘The dark is my delight / So ’tis the nightingale’s’—brings to Moreland’s mind the predacious Pamela Flitton, now married to Widmerpool. He says that, if there had been time, he might have done a setting for the song, and he imagines how it would have made his friend, the music critic Gossage, sit up: He sighed, more exhaustedly than regretfully, I thought. That morning was the last time I saw Moreland. It was also the last time I had, with anyone, the sort of talk we used to have together. Things drawing to a close, even quite suddenly, was hardly a surprise. The look Moreland had was the one people take on when a stage has been reached quite different from being ill. “I’ll have to think about that song,” he said. The moment final; the prose absolutely transparent with resonant simplicity.”

 This is just a random sample of the vast wealth of human experience, vicarious but full of meaning, that can enrich us in literary fiction, drama, poetry and through that modern popular narrative form, film. Needles to say, within the vast treasury we are looking at, individual taste will determine what we might each feel is appealing or otherwise. The Dance to the Music of Time, which I have been so effusive about, is not, I have to admit, everyone’s favourite book. But entering these worlds is not a waste of time. Indeed it is a sad commentary on our education system, in which a considerable amount of time is devoted to trying to help young people experience these riches that so many people still feel that it is.

One final thought. One must suspect that the appeal of narrative fiction has some deep source in human sensibility given that it has been employed so extensively by the Holy Spirit to reveal so much to us of the very nature of God himself and our relationship with him, not to mention the use made of it by Jesus Christ to teach us how to love God and love each other in this world.

This post will appear in the August/September issue of Position Papers www.positionpapers.ie

Is the Past Really Another Country?

Over the past few months I have had words echoing in my head from across the centuries: I have loved justice and hated iniquity – therefore I die in exile. They are the words of a dying pope and they just seem to resonate in my mind in the context of the sufferings of Pope Benedict and the recently revealed anguish of the Archbishop of Dublin, Dr. Dermot Martin.
Exile is of course a metaphor and there are many kinds of exile which human beings can suffer. Indeed exile is in some ways the condition of every soul in this world. Hence the word “therefore” in that haunting sentence means more than it might at first seem to mean. Exile is the condition of every Christian soul in the face of the incomprehension which envelops it in an unbelieving world. It is in fact no more than the founder of the Christian faith promised his followers – If the world hates you, you know that it has hated me before it hated you. If you were of the world, the world would love its own. But because you are not of the world, since I chose you out of the world, therefore the world hates you. (John 15).
The pope in question was Gregory VII, more often known by the name derived from the Aldobrandi family, Hildebrand. To his friends he was “a bright flame”, which Hildebrand can be translated as, and to the Catholic Church was truly such. He was one of the great popes of the middle ages who fought the secularism of his day for the freedom of the Church to do its work for the salvation of souls. He was a great reforming pope and in his effort to reform the Church he came into direct conflict with the mightiest power of the age, the Holy Roman Emperor, Henry IV.
The essential reform around which his struggle with Henry revolved was the struggle for the right of the Church to choose its own bishops, the successors of the Apostles. The struggle was a roller-coaster ride in which Henry was twice excommunicated and in which at the high point of the drama fell on his knees before the Pope at Canossa to ask for forgiveness and absolution – only to later recant and eventually drive the pope into exile. Hildebrand died in Salerno in 1085 where his remains are venerated to this day. He was beatified by Gregory XIII in 1584, and canonized in 1728 by Benedict XIII.
Gregory VII began his great reforming work in 1074 and those reforms still provide the structure within which the Church today seeks to maintain the order which allows it to pursue its mission for the salvation of souls. Chief among them and focused on the priesthood were the following:
• That clerics who had obtained any grade or office of sacred orders by payment should cease to minister in the Church.
• That no one who had purchased any church should retain it, and that no one for the future should be permitted to buy or sell ecclesiastical rights.
• That all who were guilty of incontinence should cease to exercise their sacred ministry.
• That the people should reject the ministrations of clerics who failed to obey these injunctions.
It is sobering to realise that in every age the Church has had to clear itself of practices and abuses which thwart it in its divine mission and scandalise its faithful. But it is also sobering to be reminded that those who seek to do this clearing work will be misunderstood, resisted and persecuted – even by those who profess to serve the Church themselves. Henry IV’s last act of defiance was to have a cardinal of the time elected as pope in opposition to Gregory.
Parallels with today? Surely there are. Although the priestly-kingly office of the Pope in essence remains what it always was, the office of the Vicar of Christ, the forces on the opposing side are more diverse and more subtle in their manifestation than they were in Gregory’s day. The same love of justice, the same love of souls – all souls, – the same hatred of iniquity are patently evident in both the words and actions of Pope Benedict XVI and Archbishop Diarmuid Martin in their efforts to serve Christ in the world as they were in the words and actions of Gregory VII.
In the contemporary struggle of the Church in the modern secular world the great Manipulator of all evil was already pulling the puppet strings in this battle decades ago when he seduced the weak and licentious to betray their calling and indulge their lust on the innocent. Having done that he goes on to capitalise on his success by manipulating the Job’s comforters of this world who set themselves up to advise the Church on what it must do to change itself. Many of them of course secretly, or not so secretly, see the Church as a medieval anachronism which the world would be better rid of. All you have to do is to stray into the internet comments on articles in the mainstream media to see this not so hidden agenda.
The incomprehension of Christ and his Church by the World was nowhere more evident than in the reaction of elements of the media – indeed the only elements which touched my consciousness – in the 24 hours following the heartrending address by Archbishop Martin on the future of the Church in Ireland on May 10 last. A proper reading of what he said could only show a man, a priest, suffering under the weight of the injustice and iniquity which he had witnessed but who at the same time showed the faith, hope and love which told him that Christ has redeemed mankind and that the great Manipulator will not prevail. However, reading and listening to some of the commentary on the address led one to believe that here was a man, a priest, attacking his own Church, at odds with the Vicar of Christ and adrift in a hopeless sea of misery. The direction of the address was firm and resolute – while very honest and courageous in its laying out of what must be done.
Yes, the struggles of Hildebrand in the 11th century were the struggles of that time. Later there were to be other struggles and today we have our own struggles. All, however, have a common denominator – that incomprehension of the True Church. However, the victory then, as the victory will always be, was assured. But the peace will not be peace as the world gives it. It will be a peace which will always be compatible with the reality of exile.

“Wine from the Royal Pope”

The last great threat to the belief and practice of the Catholic Faith in Ireland was probably in the late 16th and early 17th century. The crisis of that time was unparalleled – until now. It seems unquestionable that as we look back over the past 50 years we can now see the unravelling of a Catholic community which for three centuries resisted the fire and sword of persecution and flourished throughout the English-speaking world.

There is a great deal of talk of our now being – in the context of the horror of multiple betrayals now scandalizing the world from these very shores – at a watershed in the history of Irish Catholicism. The nature of that watershed may mean different things to different people but many hope that it is a watershed from which will flow a reformed and regenerated Catholicism faithful to the teaching which defines Catholicism itself. There is every reason to hope that it will. The failures and triumphs of the 17th century are grounds for nurturing that hope in our hearts.

Catholicism in Ireland in the 16th century was in a truly sorry state – as indeed it was in much of Europe. The Protestant Reformation was a reaction to a range of abuses in the Church at large. Ireland was no freer of abuses than the next, catalogued in polemic terms by the Protestant reformers but catalogued in more accurate if no less lurid terms by the Catholic reformers of the early 17th century.

In 1631 the reforming Catholic bishop of Waterford had to contend with a diocese in which, he reported “most of our clergy are idle, contenting themselves to say mass in the morning, and until midnight to continue either playing or drinking or vagabonding; and as most of them are unlearned, the make a trade of being ecclesiastical, thereby to live idle, sit among the best, go well clad, and if I would say it, swagger….and alas very few spend one hour a twelvemonth to teach Christian doctrine, or instruct young children.”

That is just a sample. The consequences for the laity of the time of a pastoral infrastructure served by that kind of pastor were of course inevitable: ignorance, superstition, devotional aberrations and utterly loose living. The Catholic reformers took up the challenge of dealing with these. S.J. Connolly, in his history of the period, Contested Island – Ireland 1460-1630, – from which the quotation above is taken – tells of some of the things that had to be tackled. There was “a particular concern with wakes, where the passage of the recently dead was marked by feasting, drinking and ritual games, all with the aim of reasserting bonds of kinship and community and perhaps of placating the spirit of the deceased. The explicitly sexual nature of some of the games played was another challenge to the new moral discipline. Marriage was a further area of difficulty. Communities for whom weddings were a means of creating and strengthening social bonds were not easily persuaded that the consent of two individuals given before witnesses was not adequate unless solemnized by the parish priest of one of the parties, that a close existing blood relationship could be an obstacle to union or that a marriage contract remained binding even when the family or other alliances it had been created to secure had ceased to exist.”

In the 16th century a battle royal had commenced for the minds and hearts of the Irish people. The Tudor conquest of Gaelic Ireland had the dual objective of achieving political submission and religious reformation on Protestant terms. In the execution of the programme the duality of the aim was probably a major factor in the undoing of the latter. But in the end of the day the event celebrated in poetry by James Clarence Mangan two centuries later – leaving aside the political and nationalistic interpretations of the words – was what really made the difference.

  O my Dark Rosaleen,

   Do not sigh, do not weep!

The priests are on the ocean green,

   They march along the deep.

There ‘s wine from the royal Pope,

   Upon the ocean green… 

The combination of a muddled and often ruthless political strategy, combined with an incompetent religious persecution and a half-hearted apostolic zeal on behalf of the Protestant reform was no match in the end of the day – even when pursued over two centuries – for the resurgence of the Faith which flowed from the Council of Trent. The early 16th century saw the laying of the foundations on which the practice of the Catholic Faith in Ireland was gradually reaffirmed and restored in the face of draconian persecution and half-hearted Protestant evangelization. It took time and it was often patchy – but then there was never to be a Kingdom of God on earth without weeds. The persecuted mustard seed which was nurtured by the Catholic reformers on the watershed that was 17th century Ireland became the flourishing Catholic Church in the Anglophone world of the 19th and early 20th centuries.

Are we back to square one? History may not repeat itself but it has an uncanny way of appearing to do so. We may have no wish to trace detailed parallels between the abuses of today with those of yester year but we do not need to. The moral degeneration, clerical or non-clerical, hidden or blatently evident in the behaviour of our age speaks for itself. It is hard not to conclude that if it is not square one we have reached we are somewhere in its vicinity.

In the 16th century the Protestant reformers were aware of one thing but seemingly failed to capitalise on that awareness and lost the ground they might have gained. The neo-protestants of today are fully aware of the same thing and if the evidence before us is to be trusted they are doing their best to capitalise on it second time around. Check out Is This a Trojan Horse? in the Position Paper of November 2008 for more detail. Historian Aidan Clarke noted in his contribution to the third volume of the Oxford University Press New History of Ireland: “It had been recognised from the outset that the young were more likely to be susceptible to protestantism than the old, but the problems of creating a protestant monopoly of education were too large to be tackled.” The prospect of an anti-Catholic takeover of the system of education today is much less of a challenge. It is arguable that the takeover has been largely effected already in spirit if not in the letter. What is the Faith which is being taught in the majority of nominally Catholic schools today? Where are the minds and hearts of the majority of young Irish people today? We might shudder to think what a thorough investigation might reveal.

But hope is at hand. “Wine from the royal Pope” has already arrived in port. As it was then, so it is now. The Roman Catholic Church was then and is now the institution founded by Christ to provide for the needs of his flock. That betrayals should be experienced within it should dismay no one. Judas was among the first twelve and while he helped put the One who chose him to be such on the Cross to die, his action did not deflect the Church from its path. The Pope is the universal pastor and his care for his faithful on this island and beyond is palpable in every word of his letter to Irish Catholics. It has set an agenda for the spiritual life of this people. The practical help they will need to enable them to fulfil it is marching “along the deep” in the form of the promised Apostolic Visitation. What is now hoped for, what is needed, what is on offer is a new and Catholic Reformation of a greviously wounded Catholic culture. If these hopes are fulfilled then the outcome of the sad events of the late 20th century might be as fruitful in the centuries ahead as was the outcome of those of the late 16th and early 17th centuries.

A version of this article will appear in the May edition of Position Paper www.positionpaper.ie .

A Fallacy at the Heart of Our Bewilderment

It is strange – or is it? – that some of the most shocking disasters which afflict us poor humans seem to descend  on us in or around Christmas time. The Indian Ocean tsunami of 2004, the Pan-Am flight 103 which hurtled out of the night sky on the unsuspecting townspeople of Lockerbie in 1988, and now the devastation of Haiti in the region’s worst earthquake for 200 years, all came within a few days or weeks of the season of peace and joy.

Of course it is only an impression. Statistically I’m sure these disasters are distributed fairly normally across the calendar. It is the very juxtaposition with the peacefulness of Christmas which creates the impression. We are shocked by the incongruity of the thought that such pain, suffering and sudden death should be lot of some while others commemorate the coming of the Saviour of the world.

But there is a fallacy at the heart of our bewilderment. Why should we be shocked by something that is the lot of every one of us – and not always in a comfortable bed surrounded by our family and friends? Our good and reasonable responses of sympathy with the suffering and bereaved, of prayer for the dead and practical aid to the afflicted, are often mixed up with the less sensible. We love sensations and sentimentalism. Why is it that a nation finds itself gripped and fascinated by the trial of a man accused of murdering his wife? Sentimentality was once aptly described by someone as working out on ourselves feelings that we haven’t got. We have the experience – the shock, the feeling of pity, the horror of imagining ourselves dying a terrible death – and miss the meaning of it all. We tend to wallow in sentiment and miss the real point. What does death really mean?

Shakespeare – in the words he put in the mouth of Julius Caesar – said it all when he wrote:

Of all the wonders that I yet have heard,

It seems to me most strange that men should fear;

Seeing that death, a necessary end,

Will come when it will come.

Why does the death of thousands at one time and in one place shock us to the core when we know that the same end is the inevitable lot of all? For the self-righteous and now notorious American evangelical preacher the recent deaths of an estimated 200,000 in Haiti were easy to deal with. This was God’s punishment on a nation that had for too long played games with the devil. Now that was truly shocking. If he was a little more evangelical he might have thought about the rhetorical question put by Jesus to his disciples and others, recounted in the Gospel of St. Luke:

Or those eighteen on whom the tower in Siloam fell and killed them think ye that they were debtors beyond all the men who dwell in Jerusalem?

No they were not. We are all debtors, and we will all die someday.

There is no doubt, disasters can bring out the best in some and the worst in others. Among the best – prayers for the dead and afflicted; humanitarian response to the needs of a devastated nation. And the worst? Well, perhaps this. In 1755 the intelligentsia of Europe, contemplating the death and destruction of Lisbon in the great earthquake and tsunami of that year, proclaimed the Death of God – either by losing whatever faith they had or by proclaiming that, if anyone still needed proof, this surely proved that no God existed. But where are they now? They are all dead. Did they not think that in the greater scheme of things it makes little difference whether it happens today, tomorrow or in twenty years’ time?

The suddenness of death should not surprise us. It is a common enough occurrence. That death might come with more rather than less pain should not dismay us – even though we will hope that modern medicine may help us though it somewhat. The two resolutions that we should really get our heads around in the face of those two eminently possible eventualities – a sudden and/or a painful death – should be staring us in the face. Be ready – always; get to grips with the meaning of suffering and in understanding it, for everything has meaning, learn to embrace it as a part of a complete vision of life.

Take all that on board and we will probably still find ourselves shocked by the effects of natural disasters on our fellow men. There is no shame in that. We have emotions. But we will not lose all sense of proportion and hopefully we will consequently respond in a more practical and imaginative way to those who suffer if we keep our feet on the ground.

In 1927 the journey of the Magi to Bethlehem was imagined famously – and not a little mysteriously – by T.S. Eliot. It was also the year in which he converted to Christianity. His reflections on that event brought about at least one conversion to the faith and probably had something to do with his own. In it he talked of two deaths, one of which was in fact Life itself. The narrating wise man has returned home and many years later reflects on what he and his companions had encountered.

All this was a long time ago, I remember,

And I would do it again, but set down

This set down

This: were we led all that way for Birth or Death?

There was a Birth, certainly,

We had evidence and no doubt. I had seen birth and death,

But had thought they were different; this Birth was

Hard and bitter agony for us, like Death, our death,

We returned to our places, these Kingdoms,

But no longer at ease here, in the old dispensation,

With an alien people clutching their gods.

I should be glad of another death.

It may seem a little heartless to offer these thoughts in a context which we still find tearing at our emotions as we contemplate the agony of the poor people of Haiti still rummaging in the rouble of their cities and towns and mourning their dead. But nothing is served, for us or them, by succumbing to an unreality which in the end does nothing but cripple the vision of the soul.

The Lovely Bones – Touching Raw Nerves

I don’t know if The Lovely Bones is a lovely film or not. I haven’t seen it and this is not a review of it. It has however, an intriguing subject: a young girl is murdered; in the film she spends most of her time in “the In-Between” telling us what happened and watching the world go on without her. “The In-Between” is of course an imaginative reading of what many of us call Purgatory and in many ways a large part of the theme might be seen as being what Purgatory is all about. The film is based on a very popular novel by Alice Sebold.

But what is more intriguing than the film itself is the bewilderment of some of its critics. It has to be said that it has had a very mediocre critical reception at the higher end of its range and a very negative response from a few eminent critics. Most bewildered of all and very hostile was Roger Ebert of The Chicago Sun Times. The film is probably fairly muddled and I think that it does not match a vision of Purgatory which most of us would find theologically credible. However, it does take for granted that such a state of being exists. What is intriguing about Ebert’s review is the vehemence with which he attacks the film, not so much on artistic grounds, but fundamentally on ideological grounds. The view that Purgatory – or Heaven and an afterlife for that matter – should even exist seems to be what offends him most. Reaction to the film seemed yet again to reveal that great divide – seen in other instances in the reaction to any number of other films in the recent past which seriously, either explicitly or implicitly, allegorically or otherwise, reveal a belief in the supernatural. We might think of Mel Gibson’s The Passion of the Christ, the Narnia films, and even The Lord of the Rings – made by the same director who has made this film, Peter Jackson.

Undoubtedly the subject-matter of the film is tricky – a young girl brutally murdered by a pervert, narrating her story from beyond the grave, watching the anguish and near-disintegration of her family in the aftermath of her disappearance. The film accepts death as a reality and the afterlife as a reality as well. This is clearly what Ebert and others do not accept. “The Lovely Bones”, he says, “is a deplorable film with this message: If you’re a 14-year-old girl who has been brutally raped (in fact, while this is part of the novel is not part of the narrative in the film – my parenthesis) and murdered by a serial killer, you have a lot to look forward to. You can get together in heaven with the other teenage victims of the same killer, and gaze down in benevolence upon your family members as they mourn you and realize what a wonderful person you were. Sure, you miss your friends, but your fellow fatalities come dancing to greet you in a meadow of wildflowers, and how cool is that?” Alright, he might have a point if this was the extent of his problem. But it is not. It is not that the film has done a fairly mediocre job with its chosen theme. It seems to be the whole premise of the film itself.

The makers of this film, he complains, seem to have given “slight thought to the psychology of teenage girls”. Perhaps, but he does not elaborate on his own take on teenage girls, so we are not sure what his problem is here. He goes on to come closer to his main gripe: that the makers of the film do not address “the possibility that there is no heaven”.

“The murder of a young person is a tragedy,” he continues. Of course it is, but tragedy is an overused word and death is not the end of anyone’s world. “The murderer is a monster”, he states. Not true, in any real sense. Murderers are human beings, bad but still human like any of us, even Roger Ebert. He goes on to object that this movie sells the philosophy that “even evil things are God’s will, and their victims are happier now. Isn’t it nice to think so. I think it’s best if they don’t happen at all. But if they do, why pretend they don’t hurt? Those girls are dead.” Susie, the heroine was not the murderer’s only victim. Here he is seriously misreading the story and failing to understand the power of God to draw good from the violence human beings inflict on their fellow human beings. One senses that Ebert probably cannot make much sense of the sacrifices of the early Christian martyrs.

In judging whether or not Peter Jackson hits the nail on the head – or otherwise – in tackling the themes of this book in his film we will have to wait until we see The Lovely Bones when it comes out on DVD later this month (April). But regardless of its artistic merits as a movie, it seems to have touched that raw nerve in Roger Ebert which he shares with all those others in our culture who can no longer tolerate a vision of life after death and all the happiness which it will entail, we hope, regardless of the manner in which we leave this one.