The Dangerous Fallacy of the Self-made Man

They say this is a first. It may be, but it should not be a surprise. It is in fact a symptom of the chronic disconnect which is now commonplace between the key institutions in Western society – families, schools, government. About 70 teachers in a school in Lancashire, England, are on picket duty outside their school and are refusing to return because of a breakdown in school discipline. The Daily Telegraph (April 7) reports that staff at Darwen Vale High School in Darwen are angry over a lack of backing from the head and other management at the school when they confront unruly children.

Simon Jones, a local National Union of Teachers official manning the picket line, said: ”This is not a strike against pupils. It is about management, and management failure to support staff in dealing with challenging behaviour. No one wants to demonise the children here; they are no better or no worse than any other.” Pity the poor teachers, pity the poor pupils. In a broken society all are victims. Few know why and even fewer know what to do about it. This is by no means a “sink” school. In fact, in the latest report on the school from the Office of Standards in Education last June, Darwen Vale was rated a good school where pupils’ behaviour was given a good rating.

Something really terrible has happened when an entire body of teachers in a school has felt compelled to down tools and walk out of their classrooms because they find themselves no longer able to do that which should be second nature to them – relate humanly and affectionately to the body of students in that classroom. What the exact circumstances in Darwen Vale are may be special, but there is no doubt but that the reaction of those teachers is mirrored in thousands of classrooms around the Western world today where teachers feel they can no longer cope. Why? It is not a deficiency in their skills, or in their training, or in their good will. It is nothing less than a breakdown of civilised human behaviour.

What has happened has been happening for a long time and is deeply rooted in the culture of individualism which permeates Western society. A good and wise man – who died back in 2005 – diagnosed a good deal of this malaise in the course of his work for children and the American education system over the second half of the last century.

Urie Bronfenbrenner, born in Moscow to Jewish parents in 1917, came to

Urie Bronfenbrenner

the United States at the age of six. After graduating from high school he received a bachelor’s degree from Cornell in 1938, completing a double major in psychology and music. He went on to graduate work in developmental psychology, completing an M.A. degree at Harvard, followed by a Ph.D. from the University of Michigan in 1942. After the Second World War he returned to Cornell where he remained for the rest of his professional life.

Bronfenbrenner’s observed that interpersonal relationships, even at the most basic level of  parent-child relationship, did not exist in a social vacuum but were embedded in the larger social structures of community, society, economics and politics. These, he maintained, hold the key to understanding our  current sad state of affairs. Already in the early 70s he pointed out in his book, Two Worlds of Childhood, how a chronic erosion of the basic processes of true human learning was taking place in the US as a result of rampant individualism. His study consisted of  a comparison between the broad educational culture of the US and the broad educational culture of the Soviet Union – and, strange as it may seem, it was in the US that the more worrying trends showed themselves.

In 1979 he wrote: “In the United States, it is now possible for a person eighteen years of age, female as well as male, to graduate from high school, college, or university without ever having cared for, or even held, a baby; without ever having comforted or assisted another human being who really needed help. . . . No society can long sustain itself unless its members have learned the sensitivities, motivations, and skills involved in assisting and caring for other human beings.” (The Ecology of Human Development)

In Two Worlds of Childhood he described how a self-inflicted generation gap in the US was cultivated had been through the constant separation of generations in that society’s relentless catering for generational tastes and interests, exclusive of each other. This led to the breakup of family life, the break-up of cross-generational community life, all with unforeseen but dire consequences.

“Children need people in order to become human”, he wrote. “It is primarily through observing, playing, and working with others older and younger than himself that a child discovers both what he can do and who he can become—that he develops both his ability and his identity…. Hence to relegate children to a world of their own is to deprive them of their humanity, and ourselves as well.” (Two Worlds of Childhood: U.S. and U.S.S.R., preface)

The civilizing effect of work and the life of work – not only on the person working but on all those sharing his or her life – was one of the casualties resulting from the segregation of society along generational lines which he saw all around him in the US in the ‘sixties and beyond. “One of the most significant effects of age-segregation in our society has been the isolation of children from the world of work. Whereas in the past children not only saw what their parents did for a living but even shared substantially in the task, many children nowadays have only a vague notion of the nature of the parent’s job, and have had little or no opportunity to observe the parent, or for that matter any other adult, when he is fully engaged in his work.” (Two Worlds of Childhood)

This was for him one of the consequences of a merciless imposition by society of pressures and priorities that allow neither time nor place for meaningful activities and relations between children and adults, which downgrade the role of parents and the functions of parenthood, and which prevent the parent from doing things he wants to do as a guide, friend, and companion to his children.

In a 1977 paper for the Charles Stewart Mott Foundation Conference on Parent Education, “Who Needs Parent Education?”, he pointed out a central fallacy in American thinking which he saw as leading to our present predicament. This is essentially the thinking which is at the heart of all individualism.

“Witness the American ideal: the Self-Made Man”, he said. “But there is no such person. If we can stand on our own two feet, it is because others have raised us up. If, as adults, we can lay claim to competence and compassion, it only means that other human beings have been willing and enabled to commit their competence and compassion to us—through infancy, childhood, and adolescence, right up to this very moment.”

The failure to recognise these essential needs of the child, he argued, manifested themselves in practical decisions by planners and policy makers. What was critically needed, he wrote in Two Worlds, in the planning and designing of new communities, housing projects, and urban renewal, both public and private, was that explicit consideration be given to the kind of world that is being created for the children who will be growing up in these settings. “Particular attention should be given to the opportunities which the environment presents or precludes for involvement of children with persons both older and younger than themselves.”

At the Flint conference he called for recognition of the need for re-education about the necessary and sufficient conditions for helping human beings to be truly human. They need to be re-educated not as parents—but as workers, neighbours, and friends; and as members of the organizations, committees, boards. The informal networks that control social institutions and thereby determine the conditions of life for families and children need to understand all this. There simply had to be, in his view, clear recognition that a child’s development occurs through a process of progressively more complex exchange between a child and somebody else—“especially somebody who’s crazy about that child”. The poor teachers, and the poor students, of Darwen Vale High School find themselves far removed from this beneficent and crazy love.

Urie Bronfenbrenner foresaw the crisis now being experienced by our society. “If”, he said, “the children and youth of a nation are afforded opportunity to develop their capacities to the fullest, if they are given the knowledge to understand the world and the wisdom to change it, then the prospects for the future are bright. In contrast, a society which neglects its children, however well it may function in other respects, risks eventual disorganization and demise.” Are we there yet? We can only hope not.

Time to slay a few mythical dragons again?

As Roland Joffe’s new film about the founder of Opus Dei and the Spanish Civil War goes on release in cinemas across Spain, some members and supporters of Opus Dei are seeing signs of the recycling of old misinformation about the organisation which did the rounds when Dan Brown’s famously popular and notoriously ill-written novel, The DaVinci Code, hit book stalls a few years ago. The first whiff of this came courtesy of the London Independent which carried a story on Joffé’s movie last weekend.

Joanna Moorhead told us that nearly a decade after Dan Brown’s novel The DaVinci Code propelled it to global notoriety, Opus Dei is hitting back with a new movie that seeks to show its founder, Josemariá Escrivá, in a glowing light.

Rodrigo Santoro in There Be Dragons

However she quotes Elena Curti, deputy editor of the Catholic weekly The Tablet, who reminds us: “Brown’s portrayal was ridiculous, with the mad albino monk and all the strange goings-on. Because of Brown, Opus Dei has been given all sorts of opportunities to set the record straight – as it would see it – and this film is in its way the latest of those chances.”

Moorhead talks of Brown’s book, and the movie based on it, causing something of a PR fall out for Opus Dei. In fact, the organisation saw it as nothing of the sort and famously worked the image of making sweet lemonade out of bitter lemons on the back of the whole Da Vinci code global phenomenon. It generated such interest in Opus Dei that their information offices around the world were inundated with enquiries, enabling it to present the truth about itself on a scale it had never experienced before. Not exactly a PR fallout.

“There Be Dragons cost around $40m (£25m) to make,” Moorhead wrote, “ much of which came from Opus Dei members and sympathisers who were keen, in the wake of what was seen as disastrous PR fallout from The Da Vinci Code, to put their side of the story in a big-screen movie. The film’s backers are making much of the fact that Joffe is an agnostic Jew, but they admit that Opus Dei members had input into the film, and Opus Dei fielded one of its own priests, Fr John Wauck, as on-set adviser.”

“Admit”? Funny word that. Don’t you admit guilt, or admit that you are hiding something? The people behind this movie, members and supporters of Opus Dei – among whom I count myself – are not hiding anything. According to the organisation what is missing in Moorhead’s kind of reading of Opus Dei is the appreciation that members of Opus Dei are free agents. If some put money into a project it is on the basis of their own judgement. This was certainly one which drew their enthusiasm. To be fair to them, however, their investment should be seen as their own private business. The film is not financed by Opus Dei. As Dan Brown would say: Fact.  As for Fr. John Wauck’s role, Joffé wanted to do a good job and got him as an adviser in his own right. That was Joffé being professional. In the case of The Mission, for example, Joffe explained that he had American Jesuit Fr Daniel Berrigan as an advisor. Fr. Berrigan even got a walk-on part in the movie. That didn’t make it a Jesuit movie. None of these facts are “admitted”. They are all on the record.

The truth is that this film is very much Joffé’s own work. The script is his – having rejected an earlier script which some people very much attracted by Opus Dei and its founder had written. When Joffé put the film plan together it looked so good that the funding came together – some from people involved with Opus Dei who recognised a good thing when they saw it.

As Moorhead told it yesterday, There Be Dragons, opening in the US in May and expected to come to UK screens in the autumn, is “peppered with British film talent, including Charles Dance and Derek Jacobi, and in the lead role is the up-and-coming British actor Charlie Cox, who has just landed a part in the US hit series Boardwalk Empire. Other big names include Wes Bentley, whose credits include American Beauty, and Geraldine Chaplin.

Moorhead explains: “The film centres on the early life of Josemaría Escriva, the Spaniard who founded Opus Dei and was canonised by Pope John Paul II in 2002.

“Speaking in Madrid this week, Joffe said he had initially turned down the job of directing the film, but he reconsidered after seeing film footage of Escriva telling a girl who wanted to convert from Judaism to Catholicism that she shouldn’t do it, because it would be disrespectful to her parents. He said he was open-minded about Opus Dei when he took the project on. ‘What I discovered is that there’s no such single thing as Opus Dei; there are individuals who come together, and that’s what they call themselves,’ he said.

Charlie Cox as Josemaría Escrivá

“Cox, who was raised a Catholic although he is not a regular churchgoer, said he was taken on an Opus Dei retreat and spent time visiting Opus Dei houses in preparation for his role. ‘Before I got the part, I’d never heard of Josemaria and all I knew about Opus Dei was what was in Dan Brown’s book,’ he said. ‘When I told my friends what I was doing, a lot of them said I should be very careful, and many people’s response was one of fear. But no one had any real evidence to back up that reaction.’”

Moorhead says “critics of the organisation say its adherents are too closely wedded to Vatican edicts (sic) and refuse to use their own judgement.”

“Too closely wedded to Vatican edicts”?  Hello?  They are Catholics. By “edicts” does she mean Encyclical letters and the Catechism of the Catholic Church? “Refuse to use their own judgement”?  Is every act of faith not ultimately a personal judgement? She fails to tell us who the critics are or cite specific examples so in the end she is not saying much. As Charlie Cox might ask, have you any real evidence to back up that?

The US Catholic commentator John Allen, who wrote a book on Opus Dei six years ago, has called the new film “a sort of anti-Da Vinci Code” and says it makes Opus Dei “seem as heroic and sympathetic as Dan Brown’s potboiler, and subsequent film, made it appear weird and menacing”.

Surely we are in a better place if the record distorted by the gross fantasy of Dan Brown’s Da Vinci Code – purporting to be fact – is corrected to even some degree. One way or the other, there is more lemonade on the way, or better still, a good bottle of limoncello.

At last, a bit of good news from Europe

There was a piece of good news in Europe last week. It came from – of all places, some would say – the European Court of Human Rights. We didn’t read much about it in the newspapers but it was picked up by the ever-vigilant Iona Institute in Dublin.

The Court ruled that the 47 member-states of the Council of Europe are not violating anyone’s rights by displaying religious symbols like the crucifix in public places like the walls of State classrooms. The decision overturned a previous ruling by the same court in November 2009 when it found in favour of a Finnish woman living in Italy, Soile Lautsi, an atheist, who complained that her right to freedom of religion had been violated because her children were exposed to the crucifix in State schools.

The ruling means that those who, over the last few years, have banned religious symbols from public places, extending even cribs, can no longer look to the Convention for comfort. No-one’s rights are violated because they see a particular religious object in a public place, even if the public place is owned by the State. The argument, ‘I’m offended’, isn’t going to work anymore.

The decision caused uproar in Italy and was even condemned by parties that are traditionally anti-clerical. Twenty other countries as diverse as Norway and Greece joined Italy in condemning the decision and ten joined Italy’s appeal against the ruling.

On Friday, by a margin of 15 to 2 the Grand Chamber of the Court found that the initial decision was flawed. It held that member-states should be free to decide these matters themselves, meaning it fell within their “margin of appreciation”. It held that displaying the crucifix did not in itself amount to “indoctrination”.

The Court declared: “There is no evidence before the Court that the display of a religious symbol on classroom walls may have an influence on pupils and so it cannot reasonably be asserted that it does or does not have an effect on young persons whose convictions are still in the process of being formed.

“[I]t is true that by prescribing the presence of crucifixes in State-school classrooms – a sign which, whether or not it is accorded in addition a secular symbolic value, undoubtedly refers to Christianity – the regulations confer on the country’s majority religion preponderant visibility in the school environment.

“That is not in itself sufficient, however, to denote a process of indoctrination on the respondent State’s part and establish a breach of the requirements of Article 2 of Protocol No. 1.”

European Court gives its judgement in Latusi case

It held that, when dealing with sensitive cultural and religious issues, States who are members of the Council of Europe have “a wide margin of appreciation”. The Grand Chamber rejected the original ECHR finding that the Crucifixes represented “powerful external symbols” which unduly influence pupils. It held that, “the decision whether or not to perpetuate a tradition falls in principle within the margin of appreciation of the respondent State”. It added: “The Court must moreover take into account the fact that Europe is marked by a great diversity between the States of which it is composed, particularly in the sphere of cultural and historical development.

The decision recognised State sovereignty in this area, and accepted that States are allowed to give recognition to the majority religion of the State and to their national and cultural heritage, meaning in the case of a country like Italy, Poland or Ireland, Christianity.

 

Feedback from the Madrid premiere of There Be Dragons

My first feedback on There Be Dragons from a friend, Ivan Garcia Bermudez  in Madrid:

“Yesterday I had the opportunity to seeo the Special Screening of “There be dragons” for World Youth Day volunteers. The Screening was in Palafox Cinema of Madrid, just very close to where the first center of Opus Dei was sited. We were very privileged as most of the movie team was present at the event: Charlie Cox, Wes Bentley and producers Ignacio Nuñez and Ignacio Gómez Sancha. They shared some thoughts with us about the movie and the “dragons” they had to face to accomplish this movie, especially to raise the 40 million Euros for this project. Being a film that takes faith seriously and doesn´t criticize the Church, you cannot expect much funding from the Spanish Government.

I think the movie is great. You can see they have spent a lot of money on this project – excellent plot, sophisticated narrative and a lot of ideas that can help in your life. I think this is a movie that entertains but is also good for the mind and for the soul. This movie can be applied to everyone’s life as everybody is facing their own difficulties, their own mistakes and their own inner dragons. It is an encouraging thought that there is always an opportunity for hope.

I was afraid that the movie would give an unreal and romantic version about priesthood but not at all It reflects the hard conditions in which the first members of Opus Dei  had to live.  Another aspect that attracted me was how well the director depicts the determination of St. Josemaria to be faithful to the project of God, no matter how harsh the conditions were.  Sometimes you cannot see God in the midst of difficulties but when we have leaders with such a great determination to go on, who are beacons for the rest of us (We need more Josemarias).    Also the spirit of the Work is very well  captured in the movie, not bad for an agnostic director. I think I need to see the movie again to extract more food for the mind. Probably I will bring my atheist friends to watch it, I think it will be a great opportunity to introduce God to them.

There Be Dragons Gala Premiere in Madrid

The world premiere of Roland Joffé’s new film, takes place in Madrid tonight, March 23. In large part due to a grassroots marketing campaign in Spain, the film has sold out across 360 screens in 300 cinemas this weekend.

Joffé himself attended a special screening in Rome on Monday night and talked intimately about the impact of the film and his hope for the message it contained. The film spans a period of almost 100 years but is set mainly in the period of the fratricidal Spanish Civil War. Its focus, however, is not the action of the war itself – although there is no shortage of that action in the background to the central drama. That drama  revolves around the lives of the two central characters, one of whom is Saint Josemaría Escriva, the other a fictional childhood friend. In essence the film is a study of two human responses to a world in which these two men find themselvs enveloped in hatred, violence and persecution.

Joffé spoke to the Roman audience of 150 Vatican officials and others of how in an era of ideological conformity Escriva, the founder of Opus Dei, had the courage to tell people to think for themselves, and like Nelson Mandela in South Africa brought healing to Spain.

He said St Josemaría Escrivá  “answered the question that his time gave him, which is that when politics was industrialising and the world was splitting into rigid opposing camps a young priest stood up in Spain and refused to condemn.”

Joffe with Wes Bentley and Olga Kurylenko

In this way, said Joffé, “Josemaría extended what I would call the warm embrace of the Church to people who weren’t Christian as well  … We are all in this world together. That was an extraordinary thing to do, and the power of that message I think is extraordinary and relevant to us.”

The Spanish Civil War (1936-39)  left half a million dead and continues to divide Spain. In the movie the young Fr Escrivá tells his followers in the newly-created Opus Dei that they must forgive and not take sides – even those who are wrong.

The UK based media service, Catholic Voices, reporting on the Rome screening said that among the audience in the North-American College, there were 11 cardinals, eight bishops, 14 monsignori, and 24 ambassadors, as well as representatives from movements such as Focolare and Sant’Egidio as well as Jesuits, Franciscans and Dominicans.

Also in the audience were the writer and director Susanna Tamaro and the film composer Ennio Morricone, who composed the theme to one of Joffé’s 1980s epics, The Mission. After the screening, Morricone said: “With this film Roland Joffe confirms his greatness as an intense and profound director of the highest quality”.

Tamaro described the film as “powerful, very well filmed, and dramatically very effective”. By choosing to tell the story of opposing paths taken by two childhood friends, Joffé “brings out the importance of freedom which God gave us to try to reduce the power of evil in the world”.

A murderous fratricidal war

Tamaro added that the film had the power “to do great good for the new generations deprived of great figures to admire and emulate”.

Joffé told them “it would be wonderful” if There Be Dragons, helped the 21st century to be seen as “the century of reconciliation”, in which “we began once again to discover our innate humanity that exists in all of us” and to heal the wounds of the 20th century wars.

He added: “It’s wonderful that President Mandela was capable of doing that in South Africa, and it’s wonderful to me that Josemaría Escrivá as a young man fought for the importance of that, and carried the Christian message in such a remarkable way that I who am, I confess, a rather wishy-washy agnostic, found myself standing in total admiration and driven to want to do my best for this movie.”

Joffé was introduced by the film’s executive producer, Ignacio Gómez-Sancha, who in 2008 left his job as general counsel to the Spanish stock exchange to raise the $40m budget for the film, attracting more than 100 investors from 10 different countries to his private equity fund, Mount Santa Fe.

Some of the investors, like Gómez-Sancha, are members of Opus Dei, but the organization itself has had no role in the movie. Joffé, who wrote the script, had complete creative freedom.

He told the audience at the Vatican that he rejected the idea of a “biopic” or biographical portrait of Escrivá. “No saint would be saying, ‘make a film about me’, he told the audience.  “But he might be saying, ‘make a film about what I thought about what I loved; about what drove me.’”

Among those watching last night was Mgr Luis Clavell, a Spanish priest of Opus Dei who worked closely with St Josemaría in Rome over many years. Mgr Calvell, who spent many hours sharing anecdotes with Joffé when the director was researching the script, said the portrayal of the Opus Dei founder in the fim was “excellent”, capturing the saint’s “strength of character”, as well as his capacity for love and forgiveness.

Because St Josemaría was naturally hot-tempered, his capacity for forgiveness was heroic, said Mgr Clavell. He recalled how, after the Spanish Civil War, a taxi driver had told the founder of Opus Dei it was a pity he had not been killed along with other priests.  St Josemaría’s reaction was to pay the driver and add a large tip to spend on a gift for his children.

http://www.romereports.com/palio/There-Be-Dragons-presented-at-the-Vatican-with-Roland-Joffe-and-Ennio-Morricone-english-3745.html

A True Hero For Our Times

He was described as “a towering figure in the history of the United States”. That is, as they might say in the United States, an “awesome” accolade. Who was he? He was Dr. Bernard Nathanson. The words were those of Fr. Gerald Murray, in his homily at the Requiem Mass for Dr. Nathanson in St. Patrick’s Cathedral, New York City. He died last month.

The twentieth century has any number of truly “Pauline” conversions, but very few match the scale of Bernard Nathanson’s. He was born in New York to Jewish parents. He became a doctor – like his father – and specialised in obstetrics and gynaecology and was for a time the director of the Center for Reproductive and Sexual Health (CRASH), at that time the biggest abortion provider in the world. During his career there and elsewhere he claimed that he was responsible for more than 75,000 abortions.

Throughout these years he was one of the leading activists in the pro-abortion campaign which eventually came to a head with the US Supreme Court judgement in the Roe V Wade case which legalised abortion across the country and gave the lead to so many other western states to do the same. He professed himself to be a Jewish atheist, was married four times and admitted in one of his books to taking the life of his own child in one of the abortions he carried out.

But then in the 1970s, with the development of ultrasound, he was able to observe a real-time abortion. This shocked him to the core of his being and he ceased to perform any more abortions. This was his first conversion, his ethical conversion. He continued to be an atheist. In his 1996 autobiography, Hand of God, which was quoted by Fr. Murray, he tells of the experience. He wrote: “Ultrasound opened up a new world. For the first time we could really see the human foetus, measure it, observe it, watch it, and indeed bond with it and love it. I began to do that.”

Dr. Nathanson wrote: “By 1984 … I had begun to ask myself more questions about abortion: What actually goes on in an abortion? …I said to a friend of mine, who was doing fifteen or maybe twenty abortions a day, ‘Look, do me a favour, Jay. Next Saturday, when you are doing all these abortions, put an ultrasound device on the mother and tape it for me.’ He did, and when he looked at the tapes with me in an editing studio, he was so affected that he never did another abortion. I, though I had not done an abortion in five years, was shaken to the very roots of my soul by what I saw.”

He continued “Having looked at the ultrasound, I could no longer go on as before”. For him the abortion movement was then seen as “the most atrocious holocaust in the history of the United States”. From then on he became the implacable foe of the movement he himself had spent his life up until that time promoting. Consequently he became its number one source of embarrassment by exposing what he called “the dishonest beginnings of the abortion movement”. He was now declaring: “After my exposure to ultrasound, I began to rethink the prenatal phase of life… When I began to study foetology, it dawned on me, finally, that the prenatal nine months are just another band in the spectrum of life… To disrupt or abort a life at this point is intolerable – it is a crime. I don’t make any bones about using that word: Abortion is a crime.” He humbly confessed “I am one of those who helped usher in this barbaric age.”

In 1984, he directed and narrated the pro-life film which galvanised anti-abortion forces across the globe. This film, The Silent Scream opened people’s eyes to the reality of the “procedure”. It removed any doubt that what was in fact being “terminated” was not just the clinical condition of pregnancy but a human being’s life. His second documentary, Eclipse of Reason, dealt with horror of late-term abortions.

One of the battles which Nathanson and others now began to fight was the battle against the corruption of language, meaning and truth which was part and parcel of the pro-abortionists’ campaign in their efforts to win over and consolidate public opinion on their side. Fr. William Smith, one of his companions in the struggle was another great hero of the pro-life movement. His axiom was: “Social engineering is always preceded by verbal engineering.” For them abortion was the killing of new life and had to be called that.

Then in 1996 came his second conversion. Some time before that he met an Opus Dei priest, Fr. C. John McCloskey. Already deeply troubled by the memories of the work he had been doing for so many years he was searching for some kind of peace – and could not find it. He had, however, the example of one man whose memory haunted him. His medical school professor had been Karl Stern, also Jewish, but a convert. He wrote of Stern later: “…he possessed a secret I had been searching for all my life – the secret of the peace of Christ”. With the help of Fr. McCloskey’s spiritual guidance he arrived at the moment of truth and grace.

In December 1996, Nathanson was baptized by Cardinal John O’Connor in a private Mass with a group of friends in St. Patrick’s Cathedral. He also received Confirmation and first Communion from the Cardinal. When asked why he converted to Roman Catholicism, Nathanson affirmed simply that “no religion matches the special role for forgiveness that is afforded by the Catholic Church”.

In his homily Fr. Murray described Dr. Nathanson as “a fearless advocate of the self-evident truth that it is a grave injustice to kill people before they are born. The unjust decisions of the United States Supreme Court in Roe v. Wade and Doe v. Bolton mandating legalized abortion in our country cry out for the counter-witness of those who will not abide this injustice. Heroism is called for. True heroism is never easy and is only possible through God‟s grace.”

Dr. Nathanson reminded Fr. Murray of another great champion of truth and a witness against evil in the twentieth century, Whittaker Chambers. Chambers renounced his membership of the Communist and confessed to being a Soviet spy. He suffered for it, he was vilified, but he stood firm. He spoke the truth. Chambers wrote of himself in the foreword to his famous book, Witness: “I do not know any way to explain why God’s grace touches a man who seems unworthy of it. But neither do I know any other way to explain how a man like myself – tarnished by life, unprepossessing, not brave – could prevail so far against the powers of the world arrayed almost solidly against him, to destroy him and defeat his truth. In this sense, I am an involuntary witness to God’s grace and to the fortifying power of faith.”  

Fr. Murray went on to tell a haunting story in Chambers’ book which he connected to Dr. Nathanson’s rejection of abortion. Chambers wrote: “The daughter of a former German diplomat in Moscow was trying to explain to me why her father, who, as an enlightened modern man had been extremely pro-Communist, had become an implacable anti-Communist. But she loved her father and the irrationality of his defection embarrassed her. ‘He was immensely pro-Soviet’, she said, ‘and then –you will laugh at me – but you must not laugh at my father – and then, one night, in Moscow he heard screams. That’s all. Simply one night he heard screams’.

“A child of Reason and the 20th century, she knew that there is a logic of the mind. She did not know that the soul has a logic that may be more compelling than the mind’s. She did not know at all that she had swept away the logic of the mind, the logic of history, the logic of politics, the myth of the 20th century, with five annihilating words: one night he heard screams.

“The scream Dr. Nathanson heard was a silent scream. A silent scream uttered by an unseen victim; that is, until the ultrasound machine brought the truth of abortion into plain view for this medical doctor who had expended great effort to make this horror legal and widespread in America. That doctor thereafter boldly decided to make the reality of human life in the womb visible for the whole world to see.”

Has Common Sense Been Abandoned?

This was inevitable – and it is only beginning. Everyone is blaming the judges for the decree handed down by the High Court in Britain on Monday that Eunice and Owen Johns, a Christian couple, married almost 40 years, could no longer foster children aged between five and 10. They are deemed unsuitable, in law, to do so any longer because they are unwilling to promote a homosexual lifestyle to a child. Neither Mr nor Mrs Johns has anything against gay people but they are not in favour of sex before marriage, whatever an individual’s orientation.

But this is not the fault of the judges. The law is not an ass. That is too easy. It is the law-makers who are asses. As soon as the steamroller of “gay liberation” got rolling on its relentless way and sought to have legislation to back all the rights it set itself up as having, the law-makers began to make asses of themselves. And this goes for every other politically correct tom-foolery which late twentieth century men and women allowed themselves to be hoodwinked by and sought legal standing for.

Commonsense has been abandoned. These laws are so flawed and so full of inherent contradictions in the context of the whole fabric of the common law system that they inevitably lead to the kind of judgement which has just been handed down from the British High Court. The confusion, the anguish and the distress of two innocent people is the outcome of this debacle

The statement issues by Owen and Eunice Johns after the judgement reveals the depths of their anguish. “We are extremely distressed at what the judges have ruled today. All we wanted was to offer a loving home to a child in need. We have a good track record as foster parents. But because we are Christians, with mainstream Christian views on sexual ethics, we are apparently unsuitable as foster parents.

“The judges have suggested that our views might harm children. We have been told by the Equality and Human Rights Commission that our moral views may ‘infect’ a child. We do not believe that this is so. We are prepared to love and accept any child. All we were not willing to do, was to tell a small child that the practice of homosexuality was a good thing.”

But all this is part of a campaign to obliterate any common sense and rational approach to dealing with ourselves as human beings. The language of the Equality and Human Rights Commission that the moral views of the Johns may ‘infect’ a child says it all. This is now a society where the Church of the Equality and Human Rights is the arbiter of morality and all other moral viewpoints are dangerous infections against which society must be immunised. British society – and by extension and in time all western societies – are now being defined in such a way that the Church of Human Rights will rule supreme.

These two British judges have now solemnly declared and defined English society to be a “largely secular”, multi-cultural country in which the laws of the realm “do not include Christianity”. The judges remarked that it was not yet “well understood” that in British society the law really has no place for Christianity. “Although historically this country is part of the Christian West, and although it has an established church which is Christian, there have been enormous changes in the social and religious life of our country over the last century,” they said.

Homosexual rights campaigners of course welcomed the judgment which they describe as putting “21st-century decency above 19th-century prejudice”. The ruling in this case is only the latest in a series of judgments in which Christians have been defeated in the courts for breaching equality laws by manifesting their beliefs on homosexuality. Part of the problem here is that the question of homosexuality is being kept in the realm of “belief”. This protects the lobby from having to engage in rational debate about this issue on health, scientific or simple sociological grounds. As soon as anyone raises these issues there are screams of homophobia, prejudice, and bigotry.

All one has to do to get a glimpse of the depth of hatred towards anyone who questions the politically correct orthodoxy on this matter now is to read the comments on the story in the newspapers. The Daily Telegraph in London, as I write, has already clocked up over 1500 responses to just one of its stories on the subject. An Irish parliamentary candidate in the election there last week who has a somewhat nuanced position of the gay rights issue – she supported civil union legislation but considers marriage per se to be, in the interests of children, something for a man and a woman. The volume of hate mail and abuse which descended on her smelt very much like a jihad.

The Rt Rev Michael Nazir-Ali, the former bishop of Rochester, described the High Court judgment as absurd. “However, what really worries me about this spate of judgments is that they leave no room for the conscience of believers of whatever kind. This will exclude Christians, Muslims and Orthodox Jews from whole swaths of public life, including adoption and fostering.”

The judges saw their predicament as follows: “We sit as secular judges serving a multicultural community of many faiths. We are sworn (we quote the judicial oath) to ‘do right to all manner of people after the laws and usages of this realm, without fear or favour, affection or ill will’.”

It was in this context that the Daily Telegraph leader article put the blame firmly in the court of the law-makers. It had no qualms about declaring that we were now witnessing the emergence of a modern, secular Inquisition. “The reason that they were even asked about their views on homosexuality was because Parliament passed the Sexual Orientation Regulations, making it an offence to discriminate on the grounds that someone is heterosexual, homosexual or bisexual. These are the same laws under which Peter and Hazelmary Bull, Christian owners of a guest house, were fined last month for refusing to let a gay couple share a room. But in the case of Mr and Mrs Johns, where is the victim? They were not turning anyone away. Quite the contrary – they were offering a home to children who will otherwise end up in care, and there are precious few people who will. Furthermore, since the children would be aged under 10, matters of sexuality are hardly relevant – or is it being suggested that they should be? Astonishingly, the High Court suggested that it was not so much their Christian faith as the moral certainties of the Johns that were potentially harmful to children.

“There is another troubling aspect of this case, the Telegraph concluded. “Equality laws are supposed to uphold the rights to religious belief. Yet the High Court ruled that laws protecting people from discrimination because of their sexual orientation “should take precedence” over the right not to be discriminated against on religious grounds. Why has it been left to judges to decide whose rights trump those of others? This should have been decided by Parliament but, yet again, another sloppily drafted measure will have far-reaching consequences for freedom of conscience in this country. Already the Roman Catholic Church has had to close its adoption agencies because they cannot conform to the law. Perhaps there is a historical irony here, because we are witnessing a modern, secular Inquisition – a determined effort to force everyone to accept a new set of orthodoxies or face damnation as social heretics if they refuse. Parliament and the courts should protect people like Mr and Mrs Johns, but have thrown them to the wolves. It is a disgrace.” But then, what do asses really know about human nature?

Olga Kurylenko on a film which deals with the big questions

Olga Kurylenko as Ildeko

Olga Kurylenko thinks her latest movie, Roland Joffé’s There Be Dragons, is important for everyone and not just another piece of escapism – and Olga knows what escapism is all about having been Daniel Craig’s love-interest in James Bond’s last outing – A Quantum of Solace.

Why is it important? “Because”, she says, “it just treats the most crucial questions. This movie speaks about love. And it concerns all of us. It speaks about searching for the purpose in life. That’s what we all look for, I hope. It looks for happiness, which is what we’re all looking for in life. It’s about making choices, and we’re constantly, everyday, brought to make choices. It’s about actually struggling with negative feelings; it’s about struggling with hatred and anger. And it is about trying to be a better person.”

Kurylenko, Ukrainian-born actress and model, grew up in poverty sharing a Soviet flat with her aunt, uncle, grandparents and cousin. In her own life she has been no stranger to struggle. Her mother and father were divorced soon after her birth and her mother struggled to survive as an art teacher. Young Olga was brought up by her mother and her grandmother, Raisa. During her youth, Olga had a humbling experience of living in poverty and recounts how she had no choice but to wear rags and had to darn the holes on her sweater. During the years in Ukraine, she studied art, languages, did 7 years of musical school studying piano and went to a ballet studio.

When she was 13, Olga and her mother made a trip to Moscow. There, she was spotted by an agent who approached her at a subway station and offered her a job as a model. Initially, Olga’s mother was suspicious but, eventually, Olga started training as a model. By age 16, she moved to Paris, learned French in six months, and was signed by the Madison agency. Then, in 2005, she made her debut in films and in 2008 hit the big-time with A Quantum of Solace. Next came There Be Dragons which has its world premier in Madrid on 25 march and then goes on release across the US on 6 May.

Since making this movie over six months in 2009 she has spoken about its impact on her. “One of the main characters”, she says, “is extremely angry and full of hate. He is totally lost. And I think that’s something that’s extremely common in our world today, and always was. Let’s agree that we’ve been struggling with it for… centuries. It’s something that’s still worth talking about, because it’s still our problem! And that’s what sanctity is, I guess. As Roland said, there’s no sanctity without struggle and fight and suffering. It’s not just a person who sits in his chair and does nothing and just has great ideas.”

She sees Josemaría Escrivá, who is one of the central characters in this semi-historical portrayal of personal conflict between its protagonists during the Spanish Civil War in the 1930s, as representing this kind of human being. It is about a man “who gets up and goes and does something. In spite of the hatred that directed at him, he keeps believing in a better world; he keeps doing good. That’s something easy to say but not very easy to do at all.” But there are people like that, and Josemaria was one of those people. When people were spitting on him and throwing stones at him, he was still turning back with a smile and kept loving those who were doing these things to him. And there are lines in the movie, where he says ‘Well, we still should love them.’ That’s something! It’s very idealistic, but it is possible, because there are people like that.

I never met Josemaría, but I’ve actually met people like that in the present life, nowadays. There are people like that. And those are the people who chose not the easy way but rather the difficult way. That’s what makes life more interesting, rather than those who choose the easy way, that’s what gives sense to life.

“TRUE” IN EVERY WAY THAT MATTERS – SOME OF THE TIME

For Hollywood, it seems, history is the new rock’n’roll. Anne Applebaum, writing in the Washington Post recently on the spate of films centered on historical events or historical characters puts it down to the phenomenon of reality TV. She quotes Peter Morgan, who wrote the script for The Queen – a movie focused on the aftermath of the death of Princess Dianna: “If people need to explain what a film is about, the film stands very little chance of surviving. Reality is a brand which people can sell” he says.” Some of the biggest films on release over the past year have been such – the story of the Harvard student who invented Facebook, the story of a stuttering king – The King’s Speech, Danny Boyle’s 127 Hours, and a story for which Applebaum was herself a historical consultant, The Way Back.

But Hollywood and history are strange and uneasy bedfellows and not everyone is happy with the progeny they produce. Hollywood has played fast and loose with historical truth on so many occasions that we approach new movies based on history with not a little suspicion. But they keep coming and the latest soon to appear on a screen near you will be Roland Joffé’s new film, There Be Dragons – which some anticipate will be a return to form for the director of two of the most memorable films of the 1980s, The Mission and The Killing Fields, both again based on real events in history.

Joffé’s film, starring Charlie Cox, Wes Bentley, Dougray Scott and Olga Kurylenko, is set against the background of the horrors of the Spanish Civil War and the life of a canonised saint, Josemaría Escrivá (Cox), the founder of Opus Dei. The genre into which this movie fits, however, has much more in common with the historical novel than with films purporting to be a narrative account of historical events. In this there is a very open mixture of fact and fiction and without doubt the film-maker is setting out to show us what moves, inspires and shapes lives rather than give us a dry factual account of events. In every sense this is very much an auteur work since Joffé not only directs but also conceived and wrote the screenplay.

Applebaum’s musing on history and cinema are in the context of The Way Back, the recently released Peter Weir film based on a “true story” of prisoners escaping from Stalin’s gulag back in the 1940s. The original story came in the form of a book called The Long Walk by Slavomir Rawicz, a Gulag survivor. It was a controversial book because while it appeared to be a first-hand account of Rawicz’s own story it later transpired that it was a story told to him by another escapee.

But, Applebaum argues that the story, certainly as portrayed in the film, is “true” in every way that matters. “Many of the camp scenes are taken directly from Soviet archives and memoirs. The starving men scrambling for garbage; the tattooed criminals, playing cards for the clothes of other prisoners; the narrow barracks; the logging camp; the vicious Siberian storms. Among the very plausible characters are an American who went to work on the Moscow subway and fell victim to the Great Terror of 1937, a Polish officer arrested after the Soviet Union’s 1939 invasion of Poland and a Latvian priest whose church was destroyed by the Bolsheviks.”

Joffé argues for the same kind of truth in his There Be Dragons, a truth built into the fictional story of London-based investigative journalist Robert Torres (Scott) who tries to unravel a deadly mystery nearly 70 years old that links his father to the founder of a Catholic organization called Opus Dei, only to discover that the shocking truth is far more than he bargained for.

Roland Joffé describes his experience of bringing the story to the screen in the following terms: “There Be Dragons was a wonderful experience that paralleled the one I had making The Mission. It is an intimate story of love and forgiveness set during one of the most bitter wars of the 20th century. Yet the themes of the film are as relevant today as ever, and I am hopeful that audiences will embrace them in that spirit.”

The film, made for $35 million, is being distributed in the US by Samuel Golden Films and is being released there on May 6. According to Meyer Gottlieb, president of the company: “We feel privileged to be working with such an acclaimed filmmaker in Roland Joffé and look forward to bringing There Be Dragons to audiences everywhere. This beautifully mounted and executed film based on true events is moving and inspirational, and it will make moviegoers cheer and applaud.”

The film has been made in English but rather unusually is having its dubbed Spanish language version released first. Its Spanish distributors have pushed and succeeded in getting it released there on screens across the country from 25 March. The release in Spain is timely because 2011 marks the 75th anniversary of the Spanish Civil War. During this brutal conflict thousands of priests and nuns were persecuted and murdered. How a still-divided Spanish society will react to this retelling of those events is something which will be watched with great interest.

The film’s themes are already resonating with people of all faiths who must make daily choices to “conquer the dragons” – the allusion of the title – they encounter by avoiding conflict in favor of embracing opportunities for forgiveness. Previewers of the movie have described it as “a deeply moving depiction of the triumph of love and forgiveness”.

Motive Entertainment, the company that championed films like Mel Gibson’s The Passion and Disney’s Chronicles of Narnia, have been contracted to promote the film across the US and further afield in the Anglophone world.

See trailers: http://www.youtube.com/user/therebedragonsfilm

Garvan Hill: 2010 in review

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Fresher than ever.

Crunchy numbers

Featured image

A helper monkey made this abstract painting, inspired by your stats.

A Boeing 747-400 passenger jet can hold 416 passengers. This blog was viewed about 2,100 times in 2010. That’s about 5 full 747s.

In 2010, there were 24 new posts, growing the total archive of this blog to 53 posts. There were 3 pictures uploaded, taking up a total of 920kb.

The busiest day of the year was August 16th with 72 views. The most popular post that day was The End of Cocoon Culture.

Where did they come from?

The top referring sites in 2010 were mercatornet.com, facebook.com, mail.live.com, mail.yahoo.com, and google.ie.

Some visitors came searching, mostly for garvan hill, michael kirke, garvan wordpress, and the gods are just. no doubt. but their code of law is dictated, in the last resort, by the people who organize society; providence takes its cue from men.”.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

The End of Cocoon Culture August 2010
4 comments

2

Brave New World Now? September 2009
1 comment

3

About March 2007
6 comments

4

The State We’re In July 2010
2 comments and 1 Like on WordPress.com,

5

A Distasteful Display of Acrimony: Frank Rich on Mel Gibson July 2010
4 comments